
The first thing that you need to know about this book is that it hard to read, and definitely hard to write about. Thinking about slavery from such an intimate place, as we do from the protagonists perspective, was painful, and reminded me of how dark the world can be. It is not a happy book, and there is no innocent actor throughout the novel. People are driven by forces that I can’t even begin to understand in a world so far removed from my own that it’s genuinely difficult for me to sit with for more than 20 minutes without feeling a little nauseous. Many times over the past week have I failed to sit down and write this post, because of the uncomfortability I associate with this book. With that warning, below you’ll find the rest of my post. If you choose not to read on, I don’t blame you. But if you do, I hope you enjoy it. And if you haven’t read Kindred, I would strongly recommend it.
Kindred is a globally acknowledged science fiction novel which was written by Octavia Butler in 1979. It tells the story of a young black woman, Dana, who is uprooted from her life in 1976 and thrust into the 19th century. After some initial confousion she realizes two important things, she is in the antebellum south, and that she is called to this time when one of her ancestors (a young white slave-owner named Rufus) feels as though he is in life threatening danger. Over the course of the novel their relationship begins to change for the worse, as Rufus becomes more “a man of his time,” and their connection turns toxic. Throughout this entry, I want to discuss the transformation of these main characters and their relationship, from their touch-and-go beginning to the tragic yet inevitable conclusion that befalls them.
Dana is a young writer who has recently married to a white man 12 years older than her, both of whom became estranged from their families in order to marry each other. Her life is difficult but congenial, until she is thrust into the distant past and attempts to save a young white boy who she doesn’t know. After rescueing him she finds herself staring down the muzzle of a shotgun, and, fearing for her life, is transported back to 1976 where only a few seconds have passed. A few minutes later she is whisked back in time to find the same red-haired child, several years older, in his bedroom with the drapes on fire. After putting them out, she begins to piece together exactly whats happening. He is an ancestor of hers, and the only white one at that. When he is in danger Dana is called back through time to save him, ensuring that her lineage will exist. She takes up the challenge of raising this boy right – showing respect to the slaves that he owns, and trying to teach him some compassion that the boy’s father seems to be lacking.
Their relationship quickly flourishes as Rufus takes a liking to her, and she to him, but things don’t stay simple forever. After a dangerous encounter with a white patrol man she’s whisked back to her own time – back to the comfort of her husband and new house. Together, they prepare for the eventuality of another episode in the past. When the time comes they go back together. As a white man her husband fits in well visually, but internally struggles quite a bit due to the culture shock and his 1970’s progressive nature. Ultimately, they settle into their new lives: Kevin, Dana’s husband, teaching Rufus how to read, and Dana, as a slave, helping out with the other slaves’ chores. However, Rufus isn’t isn’t exactly the innocent boy that he was in their last encounter. He’s still kind towards Dana, but we see a more hostile side of him that only exposes itself when he feels pestered by his mother. When questioned about his behavior, Rufus states that he treats her this way, because he knows that she’ll forgive him despite his rude behavior. This insight about Rufus stays with Dana, and for good reason.
The days turn into weeks, and in the blink of an eye several months have passed. At this point Dana and Kevin have truly settled into their new lives. Like actors perfecting a role, they even begin to embrace slavery (the most significant tradition among many other antique practices), and it’s many cruel practices as normal. However, Dana is rightfully troubled by this development, and simultaneously begins to grow warry of their lives on the plantation. After disobeying a direct order from Rufus’s father, the owner of the plantation, she receives a whipping and, fearing for her life, is sent back to the present day. Without her spouse.
9 days go by without another episode. Dana sits alone in her house – to afraid to go out or drive, for fearing of being brought back in time when she’s in a dangerous place. To her, even driving could be fatal. In this moment Dana feels incredibly isolated, but her grim situation is dwarfed by the realization that for each day that goes by in her world Kevin will grow years older. She’s reasonably worried that he’ll change into a man of his time, or maybe he’ll no longer love her. However, when she next arrives in the past one thing is clear. Rufus is not the young boy she remebers. Her first sight is of Rufus being beaten by a black man, while Alice (Dana’s black ancestor, connected by the same generation as Rufus) trys to conceal herself, and fix her clothes which had been ripped apart from what can only be understood as an attempted rape on Rufus’s part. Eventually she convincing the black man to stop beating Rufus, saving his life, and her lineage. Dana scolds Rufus for his actions, but she finds it difficult to stay angry with him, understanding that, for Rufus’s time, raping a woman is far more commonplace than interracial marriage.
Once things have settled, she asks for a letter to be sent out to Kevin. He stuck around the plantation for a while, but moved up north to try and escape the harsh reality of slavery down south. When he eventually arrives Rufus lashes out, pulling a gun on Dana, and demands her to stay. In this moment we see the bond that exists between the two of them. Although it isn’t sexual, he’s become dependent on her, and the thought of losing her to another man is almost enough to get her killed. This dependancy seems to be the flip-side of his romantic dependancy on Alice. However, Dana, fearing for her life as Rufus aims the gun at her, teleports home.
With Dana gone, Rufus turns on Alice a bit. There’s no doubt that he loves her, but it’s a love tainted by manipulation, and the reality of the time that they can never truly be equals. Eventually, Rufus feels Alice start to change, and pretends to have their children sold off into slavery. She does not take this well, and ends up killing herself. In reality though, Rufus had only sent them away briefly to try and teach Alice a lesson. For the first time, Rufus feels like he is about to die, but he isn’t in any physical danger. The woman he loved died, and his world is crashing down around him. Suddenly Dana is there, and Rufus shows just how far he’s come from their first encounters. He’s become unhinged by the loss of a loved one, and he sees Dana as a near alternative. When she realizes what’s happening she tries to persuade him otherwise, at first gingerly, then begging. However, it’s clear that nothing will change his mind she is forced to do the unfathomable. She stabs Rufus, watching the life drain from his body until he is no longer alive. After he passes, Dana is ripped back to her own time, losing an arm in the process. In the final moments of the book Dana and Kevin are standing outside the plantation talking about their adventure and how their lives have changed.
Like I said before, this book was difficult to read for a number of reasons, but I absolutely think that it’s worth reading. If you have the time, and are open to reading something that will force you to be uncomfortable, I would suggest it several times over.








